翻訳と辞書
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・ Art Cohn
・ Art collection of Fondazione Cariplo
・ Art collection of Fondazione Cassa di Risparmio di Cesena
・ Art collection of Fondazione Cassa di Risparmio di Fano
・ Art collection of Fondazione Cassa di Risparmio di Lucca
・ Art collection of Fondazione Cassa di Risparmio di Perugia
・ Art collection of Fondazione Manodori
・ Art collections of Holkham Hall
・ Art Collector (magazine)
・ Art and Architecture Journal
・ Art and architecture of the Pallavas
・ Art and Communication Centre
・ Art and Crime
・ Art and Culture Center of Hollywood
・ Art and culture in Francoist Spain
Art and culture in the Gulag labor camps
・ Art and culture law
・ Art and culture of Karnataka
・ Art and dementia
・ Art and Design Academy
・ Art and Design Admissions Registry
・ Art and Design University of Cluj-Napoca
・ Art and Documentation
・ Art and Dotty Todd
・ Art and emotion
・ Art and engraving on United States banknotes
・ Art and Frieda Maxwell Barn
・ Art and Illusion
・ Art and Life
・ Art and morality


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Art and culture in the Gulag labor camps : ウィキペディア英語版
Art and culture in the Gulag labor camps
Art and culture took on a variety of forms in the forced labor camps of the Gulag system that existed across the Soviet Union during the first half of the twentieth century. Theater, music, visual art, and literature played a role in camp life for many of the millions of prisoners who passed through the Gulag system. Some creative endeavors were initiated and executed by prisoners themselves (sometimes in secret), while others were overseen by the camp administration. Some projects benefited from prisoners who had been professional artists; others were organized by amateurs. The robust presence of the arts in the Gulag camps is a testament to the resourcefulness and resilience of prisoners there, many of whom derived material benefits and psychological comfort from their involvement in artistic projects.
==Theater and music==
One of the most visible forms of art within the Gulag was performance. Many prisoners, from experienced actors and musicians to total amateurs, either participated in or attended theatrical productions in the camps. Occasionally, even camp officials became involved: in his memoir ''Dear America!'', Thomas Sgovio describes a production in which the leading role was played by the head of the Camp Administration.

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